Overhead mics for drummers

The lower this noise level, the better in the majority of circumstances. They get these names from how they pick up sound and the method used within the capsule to record, but there are some key differences between the two mics. The best way of getting reliable mics is to get them from popular brands that are highly established.

You should also check for various build features in the mics.

Dynamic microphones have their pros, too; they don’t require power whereas condenser microphones will require some sort of phantom power from batteries or from the desk. I’ve learned through countless studio sessions that understanding these specifications upfront saves you from disappointing results and expensive do-overs, so let’s examine each factor systematically.

Polar Pattern Selection

Selecting an appropriate polar pattern dramatically affects how your overhead mics capture the drum kit’s overall sound, and I’ve found that cardioid patterns consistently deliver the most reliable results for this application.

However, I’d definitely use shock mounts to isolate the mics from floor vibrations and stage rumble during recording.

On a final note

I’ve tested countless overhead mics throughout my drumming career, and these ten options represent the best value across different budgets and recording scenarios.

You’ll hear more from your drums with condensers than you will with dynamic mics.

The downsides are that condenser microphones are more expensive. These are technically intermediate mics, but they produce pro-level audio.

Their smooth frequency response and high SPL handling make them ideal mics for using as overheads. I’ve found that positioning overheads 2 to 3 feet above cymbals delivers the sweet spot between direct impact and natural ambience, though experimenting within 1 to 3 feet allows room-specific adjustments.

So, you should get a matched pair if you don’t want to deal with the struggles that come with only using a single overhead microphone.

Dynamic vs Condenser Mics

When choosing overhead microphones, it’s best to look for condenser mics. sE does a very good job at matching their mics in house so if you’re looking for a consistent matched pair for stereo recordings, the sE8 is it.

Specifications

• Type: Condenser
• Polar Pattern: Cardioid
• Frequency Response: 20 to 20000 Hz
• Sensitivity: 25 mV/Pa (-32 dBV)
• Impedance: 110 ohms
• Maximum SPL: 139 / 149 / 159 dBSPL (0/10/20 dB pad) (0.5% THD @ 1kHz)
• Dynamic Range: 121 dB
• Equivalent Noise Level: 13dB (A weighted)
• Power Requirements: 48V phantom power
• Connection Material: Gold-plated XLR connector
• Weight: 4.97 oz.
• Extras: Mic clips, windscreens, stereo bar, and metal storage case

Polar Pattern and Frequency Response

Known for their precision and warmth, these mics capture a full, balanced sound, making them ideal for detailed drum and percussion work.

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This can restrict versatility in capturing ambient sounds or broader spatial recordings, where switchable polar patterns might be advantageous.

Dynamic mics sidestep this requirement entirely, offering plug-and-play simplicity that I appreciate during rushed sessions. They also require phantom power to work. Pencil condensers are very light, so they’re the easiest to travel with.

You should also consider all your other microphones and how heavy they are.

A solid pair of drum overhead mics can give you a better reference point when mixing and save you a lot of EQ headaches down the line.

Even if you’re using a multi-mic setup, a great matched pair of overhead drum mics makes a difference. You should check what the diaphragms are made of and see how durable the microphones are.

Drum microphones need to be the most durable mics, as there’s always the potential of you hitting them with sticks accidentally.

Your drums will come out sounding great, and you’ll only need to do a few tweaks here and there to get them to sound even better.

Polar pattern: Cardioid

Frequency response: 20Hz – 20kHz

Max SPL: 156dB

Weight: 0.62 lbs.

Audio-Technica AT4041

The Audio-Technica AT4041 Microphones are my final suggestion, and these are another high-tier option to use in any kind of professional setting.

It shares many of the same features, but it comes at a much more affordable price. Cymbals sound crisp but not too bright.